This first volume in the series on nanocarbons for advanced applications presents the latest achievements in the design, synthesis, characterization, and applications of these materials for electrochemical energy storage. The highly renowned series and volume editor, Xinliang Feng, has put together an internationally acclaimed expert team who covers nanocarbons such as carbon nanotubes, fullerenes, graphenes, and porous carbons. The first two parts focus on nanocarbon-based anode and cathode materials for lithium ion batteries, while the third part deals with carbon material-based supercapacitors with various applications in power electronics, automotive engineering and as energy storage elements in portable electric devices. This book will be indispensable for materials scientists, electrochemists, physical chemists, solid state physicists, and those working in the electrotechnical industry.

This volume brings you the latest developments in thin and thick films, powders, composites and hybrids, and display applications of advanced ceramic materials. The unique focus of this collection of papers is its concentration on the commercialization of sol-gel processing.

In this second volume in the first book series on nanocarbons for advanced applications the highly renowned series and volume editor has put together a top author team of internationally acclaimed experts on carbon materials. Divided into three major parts, this reference provides a current overview of the design, synthesis, and characterization of nanocarbons, such as carbon nanotubes, fullerenes, graphenes, and porous carbons for energy conversion applications. It covers such varied topics as electrocatalysts for oxygen reduction reactions in the different types of fuel cells, metal-air batteries and electrode materials for photovoltaic devices, as well as photocatalysts, electrocatalysts and photoelectrocatalysts for water splitting. Throughout, the authors highlight the unique aspects of nanocarbon materials in these fields, with a particular focus on the physico-chemical properties which lead to enhanced device performances.

This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history--how they define and are defined by cinematic projections of Asian American identity. Combining close readings of films and videos, sophisticated cultural analyses, and detailed production histories that reveal the complex forces at play in the making and distributing of these movies, "Identities in Motion" offers an illuminating interpretative framework for assessing the extraordinary range of Asian American films produced in North America.
Peter X Feng considers a wide range of works--from genres such as detective films to romantic comedies to ethnographic films, documentaries, avant-garde videos, newsreels, travelogues, and even home movies. Feng begins by examining movies about three crucial moments that defined the American nation and the roles of Asian Americans within it: the arrival of Chinese and Japanese women in the American West and Hawai'i; the incorporation of the Philippines into the U.S. empire; and the internment of Japanese Americans during World War II. In subsequent chapters Feng discusses cinematic depictions of ideological conflicts among Asian Americans and of the complex forces that compel migration, extending his nuanced analysis of the intersections of sexuality, ethnicity, and nationalist movements.
"Identities in Motion" illuminates the fluidity of Asian American identities, expressing the diversity and complexity of Asian Americans--including Filipinos, Indonesians, Chinese, Japanese, Vietnamese, Laotians, Indians, and Koreans--from the nineteenth to the twenty-first century.

A Choice Outstanding Academic Title "Cover to cover, Screening Asian Americans, a collection of 15 essays, is fabulous."-AsianWeek.com "This scholarly book uses 15 contributors to explore the various images of Asians, many of which have been negative."-Burlington County Times This innovative essay collection explores Asian American cinematic representations historically and socially, on and off screen, as they contribute to the definition of American character. The history of Asian Americans on movie screens, as outlined in Peter X Feng's introduction, provides a context for the individual readings that follow. Asian American cinema is charted in its diversity, ranging across activist, documentary, experimental, and fictional modes, and encompassing a wide range of ethnicities (Filipino, Vietnamese, Indian, Japanese, Korean, Chinese, and Taiwanese). Covered in the discussion are filmmakers--Theresa Hak Kyung Cha, Ang Lee, Trinh T. Minh-ha, and Wayne Wang--and films such as The Wedding Banquet, Surname Viet Given Name Nam, and Chan is Missing. Throughout the volume, as Feng explains, the term screening has a twofold meaning-referring to the projection of Asian Americans as cinematic bodies and the screening out of elements connected with these images. In this doubling, film representation can function to define what is American and what is foreign. Asian American filmmaking is one of the fastest growing areas of independent and studio production. This volume is key to understanding the vitality of this new cinema. A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons Peter X Feng teaches English and women's studies at the University of Delaware.

How Chinese cinema and global Chinese culture intersect over questions of identity